Joyce To is a Toronto-based percussionist, improviser, and new media/sound artist, who explores relationships between aesthetics and ecology through experimental art making. She considers the tensions between aesthetic representations of the natural world in digital media and the material consequences of art-making practices. She aims to create pathways of reflection on contemporary environmental and social discourse through artistic investigation, and interdisciplinary collaborations. Her performance career spans across the globe, having performed in Australia, Japan, America, and Canada. Over the past six years Joyce has also gained a wealth of administrative and stage management experience through festival management and co-curator roles. Joyce’s output includes presenting works at conferences and international festivals, premiering 50+ new works, and collaborating with improvisers, artists, composers, dancers, and writers. Joyce has trained as a percussionist in Australia and Canada. She holds a Masters in Performance from the University of Toronto and a Bachelor of Music in Performance from the Queensland Conservatorium Griffith University.

Nawal Salim is an artistic programs producer, content developer, filmmaker, and actress who has worked with several arts organizations such as Young Centre for the Performing Arts, Ontario Culture Days, MuslimFest, and Silk Road Institute. She has her Master of Fine Arts in Documentary Media from Toronto Metropolitan University and has studied acting at Second City Toronto, Armstrong Studios, LB Acting Studios, and the Professional Actors Lab. Her acting work includes: the short films Taboo, One Day, and TV commercials for Canadian Tire, Government of Ontario, VanCity Bank and more.

Rudrapriya Rathore is a writer and administrator with several years of experience in the education and cultural sectors. She holds a Master’s degree in English and Creative Writing from the University of Toronto and has published her non-fiction work in various magazines including Brick, Hazlitt and The Walrus. Her fiction is featured in online and print publications as well as in The Unpublished City, Volume I, which was shortlisted for the 2018 Toronto Book Award, and After Realism, a 2022 anthology of short stories. In 2021, she was shortlisted for a National Magazine Award in the Essays category. She has previously worked as a college program advisor and a bookseller, and most recently managed administration and production at The Glenn Gould Foundation, where she collaborated with many music organizations to bring concerts and digital programming to an audience of thousands. She is deeply interested in the politics of mentorship and expanding access to creative collaboration for artists in all fields. In 2017, she founded the Flying Books Mentorship Program to empower writers and improve their craft.

Sarah Miller-Garvin is an artist, writer and arts administrator who was born and raised in downtown Toronto. She is a Dora nominated producer and has held positions for a wide breadth of artistic and cultural organizations. Among them are the Paprika Festival, where she served as Director of Production; Yonge-Dundas Square, where she worked in event coordination and Aluna Theatre, where she coordinated the Rutas Panamericanas Festival. She has also filled artistic roles in many independent theatre productions. Sarah has a Honours BA from the University of Toronto, where she focused on Theatre and Gender Studies. She has been working in public funding for the arts at Toronto Arts Council since 2015, supporting a variety of different discipline and strategic programs and initiatives. Sarah is passionate about the importance of Arts and Culture in our city.

Liza Mattimore holds a B.A from the University of Toronto and a post-graduate diploma in Culture and Heritage Site Management from Centennial College. She has worked as a Theatre Producer, General Manager, and Arts Administrator for the past 10 years. Prior to joining TAC she served as a Producer for Crow’s Theatre, and as General Manager for both Theatre Direct and Cahoots Theatre. She has also held positions with organisations including Artscape; the Toronto International Film Festival; Catherine Hurley & Company, one of Canada’s leading creative consultancies; The Arcadia Artists Housing Co-Operative; and Big Bang Technology Inc. Liza is particularly interested in the intersections of new technologies, public and private partnerships, accessibility, and support for local and emerging artists.

Elahe Marjovi is an Iranian-Canadian theatre set/costume designer and arts manager. Before moving to Canada in 2014, she spent a year as a set design assistant on Broadway, and a year as invited Professor of Scenic Design at the University of Tehran. In Canada, her devotion to advocating for artists and the arts inspired her to pursue studies in arts management while working as a freelance theatre designer. She has worked for many Canadian companies including Factory Theatre, Centaur Theatre Company, Black Theatre Workshop, Teesi Duniya Theatre, and the National Arts Centre. Elahe has also worked as the fundraising officer for Tirgan, one of the largest festivals celebrating Iranian art and culture in the world. Elahe’s academic achievements include a bachelor’s degree in Architecture (Beheshti University in Iran), a Master of Fine Arts degree in Theatre Design (University of Kansas) and a Master’s degree in International Arts Management (HÉC Montreal and SMU Dallas). Elahe’s works have been recognized both locally and internationally, and she has received design nominations for a Dora Award the Fadjr Theatre Festival. She received a National Award in design excellence from the Kennedy Center American College Theatre Festival. Elahe has also been awarded grants from Toronto Arts Council, Conseil des arts de Montréal, and Canada Council for the Arts.

Elahe is currently on leave.

Peter Kingstone is a Toronto-based visual artist and curator, working primarily in video and photography. As an independent artist, Peter’s installation pieces have been shown across Canada and internationally, and he was awarded the Untitled Artist Award in 2005 for his installation The Strange Case of peter K. (1974-2004). Peter holds a degree in Philosophy/Cultural Studies from Trent University in Peterborough and a Masters of Fine Art focusing on video and new media from York University in Toronto. Peter has presented at many conferences on the ideas around storytelling and social engagement. Peter started in September 2012 as the Acting Visual/Media Arts Program Manager at Toronto Arts Council.

Lena Golubtsova is an arts worker, writer and translator. She holds a Master’s degree in Literature and worked in publishing earlier in her career. Since coming to Canada in 2015, she received a graduate certificate in Arts Administration & Cultural Management from Humber College and has been working in the arts with the focus on visual, public and inter-disciplinary art. She contributed to five editions of Nuit Blanche Toronto, visual art residencies at the Banff Centre, and Awakenings program at Toronto History Museums, among other professional and creative projects. Her most heartfelt interests include access to making and experiencing art; anti-colonial perspectives and practices within immigrant communities and beyond; waste, recycling and non-materiality in the arts; mental health in times of ecological crises; feminism; becoming; and unmediated miracles of daily life.

Appointed in 2010 to the position of Music Program Manager, Christy came to TAC from the Toronto Symphony Orchestra, where she was the Manager of the Toronto Symphony Youth Orchestra. A graduate of York University (MA, Ethnomusicology/Musicology; 2008), her studies focused on musics and cultures of the African Diaspora, with a specialization in North American Jazz and Blues. In addition, she has previously worked with the Toronto Mendelssohn Choir, the Fine Arts Cultural Studies Department at York University, and as a music copyist. Since its inaugural season (2008), she has sat on the Board of Directors of the Brantford International Jazz Festival. She is particularly passionate about advocating for diversity, arts education, and community development through the arts.